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Johnny Ramone is My Next Door Neighbor
by Brad Dunning

In 1998, Tyler Cassity, who comes from a funereally centric family, bought the Hollywood Memorial Park Cemetery and thus the rotting remains and final resting places of such luminaries as Carl “Alfalfa” Switzer, Mel “That’s All Folks” Blanc, Rudolph Valentino, and Cecil B. De Mille, among many others.

It has dawned on more than one observer that Tyler’s good looks, “alternative lifestyle” and ultimate career choice must have been an inspiration for Allan Ball and his HBO “Six Feet Under” juggernaut.

Flashback to 1978 and the cemetery is as worn around the edges as the surrounding moribund community of Hollywood, California where it sits smack dab in the middle of.

The romantically crumbling garden paradise is spiritually adopted by various punk and art damaged musicians, their friends and fellow misfits. A yearly Easter egg hunt provides the possibility to hear the seldom uttered “I found one under Tyrone Power!” echo across the pond and bouncing among the palm trees causing the usually undisturbed ducks and swans to get all flustered and bothered by the out-of-context enthusiasm. Honking their half ass objections, they lamely try to fly away and then give up for peace and quiet on the other side, safely away from those of Krazy Kolored hair and Nino Rota blaring boom boxes.

My friend Pleasant drags a drunken Billy Idol to party among the tombstones late one firewater-drenched moonlit summer night.

We would roam the grounds unmaliciously until dawn, embracing the Rimbaud-esque moments, cloaked in morbid curiosity, stars above and below, and with all the pretentious theatrics and dreams that only a combination of being twenty-something and sloshed in a graveyard and can provide.

Years later when I was asked by Tyler to help restore the property (I’d somehow since become an interior designer specializing in historic projects), I jumped at the chance and also at the offer to exchange a final paycheck for a prime pond side plot . . . a double wide even. If I were a Beverly Hills real estate ad, I could be “dead star adjacent.”

I’ll be just to the right of John Huston. Hattie McDaniel and Harry Cohn are just a few steps away. Then as if things couldn’t get any better, in January of this year I get a call out of the blue from the cemetery informing me of a new neighbor soon to be memorialized in “my section.”

After battling prostate cancer, the New York transplant Johnny Ramone sadly passed away on September 15, 2004 in Los Angeles. A life-like sculpture and memorial depicting him with his trademark mane (complete with those amazing bangs) and “how low can it go?” guitar pose rendered in blackened bronze was going to be erected. To live the surreal life to its fullest you only need to drive through the cemetery amid the granite obelisks, Egyptian revival mausoleums and laser etched Russian tombstones and discover a nine foot tall Johnny Ramone frozen and forged mid performance from the waist up. A photograph of this statue could be found in the dictionary under “Cool.”

At the unveiling, a motley crew, high-media profile of Johnny’s friends spoke eloquently and with much sincerity about his loyalty, quirkisms and his deserved, and self recognized, more than one commentator added, place in rock and roll history.

Nicolas Cage spoke of Johnny’s style and influence. Eddie Vedder about his own contribution to the Ramones tribute CD “We’re A Happy Family,” and Vincent Gallo on how they shared Republican Party political views and home cooked meals.

It was all very slick. The big Ramones logo banner was draped above the transparent acrylic podium. White folding chairs were all in line atop fake green Astroturf which kept us from sinking into the recently very rain soaked lawn around Douglas Fairbanks’ reflecting pool where the ceremony was held.

After the elegies, we all moved up the stairs to the site and the statue was unveiled with genuine sadness, respect and restrained delight. That perfect “magic hour” golden Southern California late afternoon sunlight bathed the black and waxy bronze like a canonization directed by Ridley Scott. Holly Woodlawn stood next to me while Lisa Marie Presley tried her best to avoid paparazzi . . . and probably Nic Cage. Johnny’s widow Linda was a gorgeously mourning rock and roll vision in layers of white — white boots, white fur and white skirt . . . black aviators being the only diversion from the snow angel in biker heaven statement.

I am proud to have seen the Ramones many times in their prime, countless afternoon and evening debaucheries usually at the Whiskey on Sunset Blvd. Their beautiful melodies were in perfect counterpoint to the furious nonstop “this is new” force of their presentation: breakneck, flawless speed. Never a bad or lame show did I see.

To paraphrase from the film, “I know lots of dead people.” Casualties from that period litter my life now and are crossed out of old phone books with my pithy, punky declaration scrawl of “DEAD” across their names, various addresses and long disconnected phone numbers. Jeffrey Lee Pierce, Tomata Du Plenty, Rob Graves, and Darby Crash are now drinking pals in spectral form only. The light that burns twice as bright burns half as long.

I didn’t know Johnny Ramone well, but I saw him at his best, praised him like we should and will be honored to be tainting the same ground water beside him.

--Brad Dunning
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If you don't know Tyrone Power, Douglas Fairbanks, Cecil B. De Mille nor Hattie McDaniel, suffice to say these were THE names of Hollywood's glorious past. Tyrone was MY biggest heart-throb; Hattie was the first African-American to win an Oscar for any role (supporting); Doug, with his wife, "America's Sweetheart," Mary Pickford, director/actor/producer/writer Charlie Chaplin and controversial director D. W. Griffith "Birth of A Nation, that infamous ode to the KKK, but what a cinematic masterpiece! What happens to art when the politics are damned?] formed "United Artists" movie studio so they could control their careers; and De Mille was known for scandalous silents clothed in debauched biblical tales. If anyone cares about our glorious and wild Hollywood past, this is THE place to be buried! Dear Tomata du Plenty and Rick Van Santen reside there. A double-width? You wanna bury some of my pix and ashes in a time capsule? ohhh . . . jenny, quoting Scarlett O'Hara: I am "pea green with envy."

Oh yeah, I was about to get a great shot of Eddie Vedder next to the statue, when his wife, who sat next to him the whole time, pushed me aside, saying she had to be next to her husband. Hey lady, don't you think sleeping with him is close enough? Would it have hurt to let me take one bloody shot of your husband? Eddie, your wife is one pushy broad and I mean that literally.

Margie, who was Ginger Canzoneri's girlfriend (the Go-Go's manager) and her pal, Christian from the Exremes and I loved to drop hallucinogens. I really liked Margie's intense intelligence. but Christian stole some cool shots I took of the Extremes.

These are not cropped because I want you to see I could not get closer to shoot. I wanted to stand right on top of them and shoot into the grave, but I just couldn't. I was rather mortified, but how could I pass up this opportunity to take a few shots?

The infamous Douglas Fairbanks shrine, overlooking a huge reflective pool of sparkling water. That is Doug's profile with his name underneath. He and Mary Pickford were truly the world's first film superstars. Mary Pickford was the first actor or actress the public knew by name. They called the blonde with the cascading curls and effervescent smile "America's Sweetheart." She acted, directed and produced and was known around the world. So much so they couldn't honeymoon in Europe because they were mobbed.

So where's her memorial? You can see her name on buildings, like at the Autry Museum, due to donating her much of her vast fortune to cultural studies and research. Pretty cool for a girl who supported her family as a child actress known as Gladys Smith from Canada. A true inspiration for women forever. Her films are as entertaining today as they were over 100 years ago. Her talent, her wit, her beauty, her spunky independence, and her Irish love of the underdog still brings smiles and tears to viewers.

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